EMBASSY CULTURAL HOUSE
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Shelley Niro

​Buffet, 2016
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Shelley Niro, Buffet, 2016
I have been collecting Indian Head Nickels for quite a few years now. If I see one or many in a flea market or at an antique mall, I can’t resist acquiring them. The male head is attractive and looks healthy. Reading the history of these portrayals makes me sad, however. They are a culmination of four different men. I’m supposing they liked the eyes of one, the ears of another, the chin and nose from a different source, and the perfectly rounded head of another to allow the braided hair and the feather attached to the head to fall in a balanced manner. Beauty is the wanted feature here. The Indian Head Nickel was created to pay tribute to the vanishing Indian race. The sad part is that many Indigenous people were in a state of despair. Placed on Indian reservations their economic situations were controlled and limited. Often they couldn’t leave their reserves in pursuit of jobs and the jobs they did find were on a lower pay scale.

On the flip side of the coin, there is the buffalo. This is an appropriate feature as the buffalo had been decimated in the 19th century, leaving the majority of Native people with no food to hunt or depend on. Starvation was a key factor in controlling the reservation’s inhabitants.

I’ve studied these small remnants of the history of the United States and appreciate the scratches and scars each one of them have. I wonder what their own history is. Where have they been and the stories they could tell. Time has moved on and, gradually, the Native/Indigenous population is increasing once again.

​Behind the head, I’ve placed words that say “money” in different languages. It feels like North America has been a place where every country in the world has come to take part in the stripping down and the consumption of resources that this continent has to offer. Much like a buffet, the gates have been open for the taking away and the taking away. Will it ever stop? They are now exploring the moon for water.
Shelley Niro is a member of the Turtle Clan of the Kanien’kehá:ka (Mohawk) Nation, from the Six Nations of the Grand River territory. Her visual art and film works have been featured across Canada and internationally. In 2019, Niro received an honorary doctorate from the Ontario College of Art and Design, where she completed her undergraduate studies; she was also the 2019 Laureate of the Paul de Hueck and Norman Walford Career Achievement Award for Photography. In 2017, Niro received both the Governor General’s Award in Visual and Media Arts and the Scotiabank Photography Award, two preeminent contemporary art awards in Canada. In 2023, 500 Year Itch, the first major retrospective exhibition of Shelley Niro’s work opened at the Smithsonian National Museum of the American Indian in New York, NY, in collaboration with the Art Gallery of Hamilton and continues to tour across Canada into 2025.




EDITORIAL TEAM

ONLINE FOUNDING EDITOR
Tariq Hassan Gordon

COFOUNDERS & CURATORIAL ADVISORS 
 
Jamelie Hassan 
& Ron Benner

ADVISORY CIRCLE
Samer Abdelnour, Wyn Geleynse, 
Ira Kazi, Lorraine Klaasen, Olivia Mossuto, Diana Tamblyn, ​ Judith Rodger, Ruth Skinner, Mary Lou Smoke, and Lucas Stenning 

COORDINATING EDITOR
Mireya Seymour

CONTRIBUTING EDITORS
Blessy Augustine, Anahí González, Jared Hendricks-Polack, Jessica Irene Joyce, Shelley Kopp, Jenna Rose Sands, and Michelle Wilson. 

VIRTUAL TOUR
Andreas Buchwaldt

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OUR STORY
Artists Jamelie Hassan and Ron Benner and jazz musician Eric Stach founded the Embassy Cultural House (1983-1990) located in the restaurant portion of the Embassy Hotel at 732 Dundas Street in East London. In 2020, at the height of the COVID-19 pandemic, the Embassy Cultural House was re-envisioned as a virtual artist-run space and website. 

The Embassy Cultural House gratefully acknowledges the support of the Canada Council for the Arts, the Ontario Arts Council and the London Arts Council through the City of London's Community Arts Investment Program.
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The Embassy Cultural House is thankful for the mentorship program established by Western University's Visual Arts department and the continued support of the students and Faculty of Arts & Humanities.
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Our Partners

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E M B A S S Y  C U L T U R A L  H O U S E . C A

The Embassy Cultural House (ECH) is located on the traditional lands of the Anishinaabek, Haudenosaunee, Lūnaapéewak, and Chonnonton peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Covenant Wampum and other treaties, colonized as London, Ontario. The ECH strives to create meaningful relationships between the Indigenous Peoples of Turtle Island and our contributors. The ECH honours the stewardship of the many Indigenous peoples who have resided on these lands since time immemorial.

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  • Home
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    • Past Programming >
      • Exhibitions 1983-1990 >
        • Index of Curators
        • Index of Photographers
        • Index of Visual Artists
      • Film 1983-1990
      • Music 1983-1990 >
        • Index of Musicians
      • Performances 1983-1990 >
        • Index of Performers
    • Embassy Hotel History
  • About
  • Shop Embassy Cultural House