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Conversation with Freda Guttman, artist & activist in support of Palestine: May 23, 2021 @ 16:00 EDT

5/18/2021

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Register for the online event here
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Freda Guttman, The Earth is Closing in on Us, 2005, this work was included in the March 8, 2021, ECH International Women's Day exhibit: Go; Rise and Strike. ​ From her artist statement: This work fuses archival images of the Nakba with lines of text in red from the poetry of Mahmoud Darwish, the great Palestinian poet (1941- 2008). The Nakba of 1948, (‘catastrophe’ in Arabic), created three quarters of a million Palestinian refugees who fled to Jordan, Syria, Lebanon, the West Bank and the Gaza Strip. The haunting, iconic photographic images of the Nakba evoke the suffering they experienced and still do – imprinted forever are the forlorn lines of forsaken people moving over the horizon into the unknown, at the beginning of their long journey into dispossession and statelessness. Mahmoud Darwish himself shared that journey, having experienced imprisonment, statelessness and exile himself.
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Freda Guttman, The Right of Return
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Freda Guttman
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Salah D. Hassan

The ECH is appalled by the ongoing violence, rising tensions, and the devastating loss of life in Palestine and Israel. The toll —particularly on civilians, including women and children — has already been far too great. 
 
Please join us for a conversation with Freda Guttman, Montreal-based artist/activist and  Professor Salah D. Hassan, Director of Global Studies in the Arts and Humanities, Michigan State University, Lansing, Michigan on Sunday, May 23 at 4 pm EDT. 

Freda has been a constant voice of solidarity to Palestinian people over a lifetime of activism.  She lives in Montreal and has worked as a printmaker, photographer and  laterally, as an installation artist.

​She has been a longtime supporter of the Embassy Cultural House, participating in the 1984 International Women's Day exhibit, as well as our most recent online IWD exhibit: Go; Rise and Strike in March 2021.

Her work has been featured in numerous solo and group exhibitions in Canada, the United States and internationally. Guttman has made her art practice and her political activism come together in a series of installations. 

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Among her installations that focus on Palestine/Israel are Diminish Your Cup and Two Family Albums: Canada Park, from 1994 to 2004.  

Join us in solidarity with all those who support a just peace in the Middle East. We are calling for an immediate ceasefire. 
 
As an artist-run project, the ECH condemns the May 15th unjustified ransacking and raid by Israeli Defense Force soldiers on Dar Yusuf Nasri Jacir for Art & Research, an independent art centre in Bethlehem. The raid, which destroyed computers and other office equipment, follows the burning of their urban farm earlier in the week. Attacks against cultural centres and other civil society organizations, including the media, are against international law.
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The Dar Jacir urban farm burnt to the ground. Photo: Aline Khoury, credit: Dar Jacir newsletter, May 17,2021

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Virtual Tour of “Hiding in Plain Sight” for Scotiabank Contact Photography Festival: NOW LIVE!

5/6/2021

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For the 2021 Scotiabank CONTACT Photography Festival, The Embassy Cultural House (ECH) is proud to highlight the digital, photo-based, and photo-related artworks from this exhibition in an immersive 3-D format, produced by contributing editor Andreas Buchwaldt. The virtual tour can be viewed below, or at the Hiding in Plain Sight exhibition page. 

The virtual tour re-imagines the Embassy Cultural House in the present, where it was originally located at the Embassy Hotel on 723 Dundas Street. Andreas Buchwaldt visualizes an alternate future for the ECH by inserting an archival image of the building’s facade into its original location with an online panoramic mapping tool. In actuality, the Embassy Hotel was destroyed in 2009 following a large fire. In addition to the sympathetic treatment of the facade, the inside of the building has been mapped to match the original interior of the Embassy Cultural House. The expresso bar and booths remain fixed in their same orientation, surrounded by works of art. 

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In October 2020, the Embassy Cultural House presented its inaugural virtual exhibition Hiding in Plain Sight, organized by Ron Benner, inspired by the 2020 book of the same name by St. Louis-based journalist Sarah Kendzior. In her book, Kendzior describes the former US President Donald Trump’s administration as “a transnational crime syndicate masquerading as a government.” 

View the ECH's Scotiabank Contact page here. 


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ECH to partner with the Toronto Palestine Film Festival on Fall 2021 art program

4/6/2021

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Toronto Palestine Film Festival 2021 design by Hamilton-based illustrator Sama Al Zanoon.
The Embassy Cultural House and the Toronto Palestine Film Festival are pleased to announce a new partnership to collaborate on arts and cultural programming. The Embassy Cultural House (ECH) is looking forward to develop an online art program to coincide with the 2021 Toronto Palestine Film Festival program.

"We are thrilled to partner with the Embassy Cultural House to include a visual arts online exhibition in the 2021 program of the festival. This will add a wonderful new dimension to our activities” said Dania Majid, programmer with the TPFF. 
 
Jamelie Hassan, 2001 Governor General Award Laureate for Visual and Media Arts and co-founder of the ECH said, “Celebrating Palestinian culture and supporting the work of Palestinian artists has been a longstanding commitment for many artists connected to the ECH community. It is with great pleasure that we look forward to future cultural projects with the TPFF.”  

Established in 1983, the Embassy Cultural House was a community-driven gallery and hosted interdisciplinary programs. It closed its physical doors in 1990. In 2020 the Embassy Cultural House was re-envisioned as a virtual artist-run space and community website.

​The Toronto Palestine Film Festival (TPFF) is a volunteer-run, non-profit organization dedicated to bringing Palestinian cinema, music, cuisine and art to GTA audiences. TPFF was conceived in 2008 to commemorate the 60th anniversary of Al-Nakba.

The TPFF launched its 14th year with a powerful and futuristic new design by Sama Al Zanoon. Sama is a graphic designer and illustrator based in Hamilton, Ontario. The design is an imagined journey to reclaim Palestinian destinies. This is a fictional space where Palestinians have limitless ability to explore their identity through film, art, and activism. 

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UK curator and writer Guy Brett dies at the age of 78

2/6/2021

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Guy Brett with Mona Hatoum in 2019 during a visit to her exhibit "Remains to Be Seen", White Cube Gallery, London, UK. Photo credit: Gerry Collins
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​The international arts community mourns the passing of UK curator and writer Guy Brett, who contributed important exhibitions and publications on key Latin American and Asian artists. Guy Brett died at the aged of 78. Among his many writings was the groundbreaking book Through Our Own Eyes: Popular Art and Modern History published in 1986. The book profiled art as overt political action with a focus on resistance to Chilean fascism, support for decolonization in Africa, and the nuclear weapons disarmament movement. All important themes that were also concerns of the ECH community's programming between 1983 and 1990. 

Jamelie Hassan met Guy Brett through Mona Hatoum during a visit to London, UK in 1989. After that meeting, Jamelie and Ron Benner began a correspondence with Guy that resulted in his visit to London, Ontario in the spring of 1992 where he presented a lecture at Western University's Visual Art Department. Guy's interest in indigenious cultural production in Canada aligned with Jamelie and Ron's commitments and after he read the publication Council  Fire by Tom Hill, he especially appreciated his meeting with Tom Hill and a visit to the Six Nations' Woodland Cultural Centre in Brantford, Ontario. At this time,  Jamelie and Ron worked with curator, Peter White, to organize for Guy a tour of other cultural centres in Canada, including  Banff, Alberta, Vancouver, BC, and Saskatoon, SK.


UK-based Palestinian artist, and long time friend  of ECH co-founders Ron Benner and Jamelie Hassan, Mona Hatoum shared this tribute to Guy. "It is very sad to say goodbye to the sensitive and insightful critic, curator and friend, Guy Brett who always championed artists outside the mainstream and focused on experimental and precarious forms from the margins, internationally and specially Latin American and Asian art. A very humble person who was never conscious of his own importance, he was nevertheless highly appreciated and has been referred to as ‘a hidden national treasure’. His quiet, graceful presence and unpretentious intelligence will be greatly missed."

Please read  recent obituaries on Guy Brett:
Constantly curious, uninterested in the market-led view': pioneering curator and writer Guy Brett has died, aged 78
  • Guy Brett, Influential Curator and Critic Who Expanded Art History, Has Died at 78

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Hiding In Plain Sight Exhibition Catalogue now online!

12/22/2020

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You can now view the Hiding In Plain Sight exhibition catalogue online! Our huge thanks to Shelley Kopp who has worked tirelessly over the last few months to edit and design this catalogue. Special thanks to Olivia Mossuto and Judith Rodger for their contributions. We would also like to thank all of our ECH circle of advisors and team and to all of the exhibition contributors, who have made this exhibition and catalogue possible with their response to this open-call exhibit, including art works, writing and enthusiasm. We have enjoyed this launching our first virtual exhibit for the ECH. 
 
This online catalogue will go to print mid-January with a planned print run of 500 copies.  Please email: [email protected] if you would like to order a copy. Copies will be sold at cost for $15.00 CAD.  

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CBC's Chris dela Torre interviews Jamelie Hassan and Ron Benner, October 28, 2020

10/29/2020

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​The co-founders of the Embassy Cultural House formerly located in London's Old East Village are launching a group exhibition titled Hiding In Plain Sight on Oct. 30. Renowned artists Jamelie Hassan and Ron Benner joined "Afternoon Drive" to talk about the history of the cultural house and about the virtual exhibit. Listen to the radio interview here. 

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James Reaney: Hiding in Plain Sight with the King

10/27/2020

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King Ganam — Canada’s King of The Fiddle — c 1957 courtesy of CBC.ca
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Cover of the catalogue published in 2012 to accompany the survey exhibit "The Embassy Cultural House, 1983 to 1990" presented at Museum London, and curated by Robert (Bob) McKaskell.
​Hamoody Hassan, London, on King Ganam via CBC.ca:
“The King was a fantastic musician & great character who played in my dad's bars. He rolled into town in a Caddy with his beautiful wife. He was fun & funny. A source of great pride for a young Lebanese boy.”
 
The glories of the Embassy Cultural House (ECH) have been hiding in plain sight since (at least) Aug. 29, 1957.

The official dates in its story are 1983-1990, when the Embassy Cultural House flourished in what had been the Embassy Hotel restaurant area. Then, in 2012, a Museum London exhibition celebrated the ECH.

Now, in 2020, a virtual ECHcentric exhibition with a marvelously inclusive group of creators launches on Oct 30, at 2 PM EST with some of its artists and journalist Sarah Kendzior participating. That exhibition is called Hiding In Plain Sight.

But the Embassy Cultural House was already there, in its own way, on that summer day back in 1957.

On that date, King Ganam made an appearance before an overflow crowd of 14,000 fans at the then-new Covent Garden Market. He also visited his friends, and fellow Lebanese Canadians, the Hassan family, at their Erie Avenue home.

The Saskatchewan-born star known as "Canada’s King of The Fiddle" had come to London for a homecoming of co-stars Gordie Tapp and Tommy Hunter. All three were stars of CBC-TV’s Country Hoedown, a huge hit show with Ganam as its leader.

Back in 1957, Ameen Sied (King) Ganam found a calm space with the Hassans, owners of the Embassy Hotel. Future artist and ECH stalwart Jamelie Hassan was taking violin lessons and King played on her little fiddle, sounding the first notes of the Embassy Cultural House.

Ganam’s connection with the Embassy Cultural House was hiding in plain sight decades later when Museum London included artwork by Toronto artist and musician Reid Diamond (1958-2001) in a 2012 ECH-themed survey exhibition curated by Robert McKaskell (1943-2020). Inspired by hearing of King Ganam’s connection with Jamelie Hassan and her family, Diamond created a work of art using a jukebox that included King Ganam music. This work is now in Museum London’s collection.

Too many people mentioned here King Ganam, Reid Diamond and Robert McKaskell are gone.

All three were part of the Embassy hotel story or the Embassy Cultural House story or both those stories. As the ECH reveals a thrilling new iteration, let’s play some King Ganam and remember them.

James Stewart Reaney, October 26, 2020 


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Open-call for Embassy Cultural House's first virtual exhibit: Hiding in Plain Sight

10/1/2020

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Shelley Niro, "Buffet", 2016
The Embassy Cultural House is pleased to announce its first open-call invitation to participate in a virtual group exhibition: Hiding in Plain Sight.

This exhibition is inspired by the book "Hiding in Plain Sight" published in 2020 by St. Louis-based journalist Sarah Kendzior.  In her book she describes US President Trump's administration as "
a transnational crime syndicate masquerading as a government."  There are many other governments in the world at this time that also fit this description. They are all connected.
 
The Embassy Cultural House will present this virtual exhibit organized by Ron Benner.  An image of the artwork in any medium can be submitted along with the accompanying information - artist's name, title of artwork, date & medium. 

Participating artists and contributors include:
Jessie Amery, 
Ron Benner, Andreas Buchwaldt, 
Carole Condé and Karl Beveridge, Stan Denniston, 
Michael Fernandes, Mireya Folch Serra, Fatima Garzan, Michelle Gay,  Wyn Geleynse, Alberto Gomez and Dot Tuer, 
Dave Gordon, Freda Guttman, Jamelie Hassan,
Fern Helfand, Susanna Heller,  S F Ho, Tricia Johnson, George Kubresli, Suzy Lake, Patrick Mahon, Doug Mitchell, Kim Moodie, Catherine Morrisey,Olivia Mossuto,
Kim Neudorf, ​Shelley Niro, June Pak, Doris Purchase, James S. Reaney, Jayce Salloum, Roland Schubert, Jean Spence, Dan and Mary Lou Smoke, Diana Tamblyn, Zainub Verjee, Christine Walde, Paul Walde, Jade Williamson, and Winsom Winsom .


Deadline for all materials for this ECH online exhibit is: October 21, 2020 

Zoom Launch Date: Friday, October 30 at 2 PM EST
Please send submissions to [email protected].

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EDITORIAL TEAM

ONLINE FOUNDER
Tariq Hassan Gordon

COFOUNDERS & CURATORIAL ADVISORS 
 
Jamelie Hassan 
& Ron Benner

ADVISORY CIRCLE
Samer Abdelnour, Marnie Fleming, Wyn Geleynse, Fern Helfand, S F Ho, Lorraine Klaasen, Judith Rodger, Ruth Skinner, Mary Lou Smoke, and Lucas Stenning 

COORDINATING EDITORS
Tariq Hassan Gordon & 
Olivia Mossuto

CONTRIBUTING EDITORS
Blessy Augustine, Anahí González, Jared Hendricks-Polack, Jessica Irene Joyce, Ira Kazi, 
Shelley Kopp, Jenna Rose Sands, Mireya Seymour, Venus Tsao, Diana Tamblyn, and Michelle Wilson. 

VIRTUAL TOUR
Andreas Buchwaldt

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OUR STORY
Artists Jamelie Hassan and Ron Benner and jazz musician Eric Stach founded the Embassy Cultural House (1983-1990) located in the restaurant portion of the Embassy Hotel at 732 Dundas Street in East London. In 2020, at the height of the COVID-19 pandemic, the Embassy Cultural House was re-envisioned as a virtual artist-run space and website. 

The Embassy Cultural House gratefully acknowledges the support of the Canada Council for the Arts, the Ontario Arts Council and the London Arts Council through the City of London's Community Arts Investment Program.
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The Embassy Cultural House is thankful for the mentorship program established by Western University's Visual Arts department and the continued support of the students and Faculty of Arts & Humanities.
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Our Partners

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E M B A S S Y  C U L T U R A L  H O U S E . C A

The Embassy Cultural House (ECH) is located on the traditional lands of the Anishinaabek, Haudenosaunee, Lūnaapéewak, and Chonnonton peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Covenant Wampum and other treaties, colonized as London, Ontario. The ECH strives to create meaningful relationships between the Indigenous Peoples of Turtle Island and our contributors. The ECH honours the stewardship of the many Indigenous peoples who have resided on these lands since time immemorial.

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