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Welcome, Year of the Dragon! Support the Arts in 2024!

2/9/2024

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2024 Year of Dragon (yangwoodgreen), Stephen Cruise, collage, 2024. To view the past iterations of Stephen's  “Year of..." series, please visit his website. 
With the Year of the Dragon set to begin on February 10th, we're pleased to share Stephen Cruise's new “Year of.." work, which celebrates the changing of the zodiac with each passing year.  Stephen began these works in the 90s and has continued each year thereafter:

Early renditions were one-of-a-kind collages of various dimensions and materials. In 2004, decided to make a print version using the proportions of a tenugui (head towel used in Kendo).

This sharing of works and ideas within our cultural community is what keeps us motivated and inspired. The value of arts and culture cannot be understated, especially as we attempt to recover from unprecedented hardships. The City of London’s draft budget proposes the biggest tax hike in years, and leaves many of the city’s arts and culture organizations struggling. The London Arts Council, Museum London, the Grand Theatre, and the London Public Library are receiving a fraction of what they've requested or their requests have been refused. We are alarmed by these developments.

For more information on the current situation and how the London arts community is responding, please visit the Forest City Gallery website, as they make a case for the arts and the necessity for an increased budget during a time where the cost of living and inflation has risen disproportionately.

The Man I Left Behind - Triple Vinyl LP by Larry Towell

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Larry Towell, the Magnum photographer who has published fourteen books and covered conflicts around the world, has now released a triple vinyl LP of original ballads about photography or the places he’s photographed based on issues of justice and peace. Peter Yarrow (of Peter, Paul and Mary) writes: “Larry Towell is one of the few songwriters today who carries on the courageous tradition of Woodie Guthrie, Pete Seeger, and Phil Ochs.” The anthology also contains field recordings mixed with his arrangements and lyrics.

Larry is accompanied by musicians and friends that include Jeff Bird of the Cowboy Junkies, Mike Stevens, who was a regular contributor to the Grand Ole Opry, Anne Lindsay who tours with Blue Rodeo and Jim Cuddy, Gwen Swick of Quartette, and many others.

To purchase signed copies of The Man I Left Behind on triple vinyl, please email [email protected]. Each copy is $60+HST, shipping not included. 
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Animated Frames Vol. 06: Other Abstractions

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Friday, February 16, 2024 at 7PM
TAP Centre For Creativity 
203 Dundas Street, London, Ontario

$10 admission (cash only)
projected on 16mm film
total duration: 58 minutes + brief intermission

The Animated Frames series is back for volume 6! Other Abstractions includes an eclectic selection of abstract animated short films by Paul Glabicki, Jennifer Reeves, Yona Friedman, Doris Chase, Len Lye, Sonia Bridge, Alexander Stewart, and Jeff Scher. To register for the event, please visit the TAP Centre for Creativity website. 

Presented by FRAMES Film Series & London Ontario Media Arts Association (LOMAA)

This presentation is supported by the London Arts Council through the City of London's Community Arts Investment Program. ​

Andrés Garzon - Print Fundraiser

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Andrés Garzon, digital print, 2023.
This artwork by London-based artist Andrés Garzon is currently available as a print edition in support of two important initiatives. The fundraiser will remain open until February 18th and 100% of the proceeds from the print will be split between two donation pages:
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E-sims for Palestinians in Gaza, organized by Jane Shi, Leah Lakshmi Piepzna-Samarasinha, and Alice Wong: http://tinyurl.com/yc372s7u
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LQMA (London Queer Muslim Association): https://www.gofundme.com/f/building-safe-spaces-for-queer-muslims-in-london 

For more information regarding the print fundraiser, please visit Andrés' website. This work was also featured in the most recent edition of the ECH tabloid with the following description by Andrés: 

I made this artwork during my visit to my own homeland of Colombia for the first time since immigrating to Canada in 2001. I was constantly reminded of the Palestinians in Gaza who had violently lost their homeland so quickly, and who are either trapped in the rubble of their former homes, or may never return to find it the same. 100+ days into a globally-known genocide, and the pain continues. 20,000+ murdered and more than 2 million displaced. From a distance, I can only hope for peace, and to use my artwork to respond to the grief being felt all over the world. Free Palestine, ceasefire now, end the occupation.
Support the Fundraiser!

Rock / Paper / Scissors: Book & Print Fair at the Art Gallery of Guelph

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The Embassy Cultural House will have a table at the Rock / Paper / Scissors: Book + Print Fair on Sunday, February 25 from 11AM-4PM at the Art Gallery of Guelph (AGG) and hosted by Publication Studio Guelph! This annual event is devoted to small-scale publishing and the social life of the book. This year, zinesters, printmakers, poets, and publishers from across Ontario will join us for a print media lover’s dream. Peruse hand-made and locally published books and print media while supporting small bookmakers, artists, and publishers.

This event is part of a weekend of programming hosted by PS Guelph, including a series of bookmaking and writing workshops on Saturday, February 24. For more information on specific events, visit PS Guelph's Facebook page. ​

Soheila Esfahani designs a coin for the Royal Canadian Mint: 
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“Transcendence and Tranquility"

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Congratulations to artist and professor Soheila Esfahani on her recent design for the coin series “Celebrating Canada's Diversity" by the Royal Canadian Mint. Soheila's design for the “Transcendence and Tranquility" coin, marks the fifth coin in the series since 2019.

Available in both gold (now sold out) and silver, and adorned with real and simulated turquoise, the coin's design celebrates Iranian Canadian heritage. Soheila describes her design and approach as such: 

In my art practice, I investigate notions of cultural translation within the diaspora, and “translation” in its etymology means “to carry across” or “to bring across.” I often use cultural objects and patterns that immigrants would bring with them to their new home, and those from Iran would often bring a Persian carpet with them when they move to Canada; therefore, I used traditional Persian carpet designs as my inspiration for this coin. I have also included the lotus flower motif that is prominent in the reliefs of Persepolis, to connect the past and present. As an artist, this project has been a fantastic opportunity for me to come full circle by representing my Iranian heritage within the context of Canada.

For more information and to purchase the silver version of the coin, visit the Royal Canadian Mint's website. 

Imogen Clendinning featured for Blackflash 40.3

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​Cover of Blackflash 40.3. Archive on Ice by Imogen Clendinning, 2023. Courtesy of the artist and Ice Follies. Photo Credit: Liz Lott
Guest edited by Katie Lawson and Yasmin Nurming-Por, Blackflash 40.3 features work by Imogen Clendinning, Eleonor Botoman, Warren Harper, and Adrienne Huard. 

This issue of BlackFlash represents an exchange between two writer/curators who remain curious about the making and unmaking of archives. For this issue, the editors extended an open invitation to seven contributors to respond to the themes of art, archives and the environment. 
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On the cover and within the issue, Imogen Clendinning reflects on her Archive on Ice, a solar-powered digital micro-archive created for the “Ice Follies” festival as unpredictable seasonal conditions threaten the future of this significant community event that depends on the frozen surface of Lake Nippissing. 
To purchase a physical copy or digital download of this issue, visit the Blackflash website. 

Relevant and Related Links

  • From CBC London: “Want a safer city? Fund the arts, advocate says" by Kate Dubinsky
  • From the Toronto Star: “The Conservative Party has abandoned its principles on free speech" by Julia Moussa
  • From Rungh: “AGO accused of silencing Indigenous Curator" by Zool Suleman
  • From Akimbo: “Rima Sater & Laura Acosta at Forest City Gallery, London" by Kim Neudorf 
  • From the Toronto Star: ​“How Israel's 'scholasticide' denies Palestinians their past, present and future" by Shree Paradkar
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EDITORIAL TEAM

ONLINE FOUNDER
Tariq Hassan Gordon

COFOUNDERS & CURATORIAL ADVISORS 
 
Jamelie Hassan 
& Ron Benner

ADVISORY CIRCLE
Samer Abdelnour, Marnie Fleming, Wyn Geleynse, Fern Helfand, S F Ho, Lorraine Klaasen, Judith Rodger, Ruth Skinner, Mary Lou Smoke, and Lucas Stenning 

COORDINATING EDITORS
Tariq Hassan Gordon & 
Olivia Mossuto

CONTRIBUTING EDITORS
Blessy Augustine, Anahí González, Jared Hendricks-Polack, Jessica Irene Joyce, Ira Kazi, 
Shelley Kopp, Jenna Rose Sands, Mireya Seymour, Venus Tsao, Diana Tamblyn, and Michelle Wilson. 

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OUR STORY
Artists Jamelie Hassan and Ron Benner and jazz musician Eric Stach founded the Embassy Cultural House (1983-1990) located in the restaurant portion of the Embassy Hotel at 732 Dundas Street in East London. In 2020, at the height of the COVID-19 pandemic, the Embassy Cultural House was re-envisioned as a virtual artist-run space and website. 

The Embassy Cultural House gratefully acknowledges the support of the Canada Council for the Arts, the Ontario Arts Council and the London Arts Council through the City of London's Community Arts Investment Program.
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The Embassy Cultural House is thankful for the mentorship program established by Western University's Visual Arts department and the continued support of the students and Faculty of Arts & Humanities.
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E M B A S S Y  C U L T U R A L  H O U S E . C A

The Embassy Cultural House (ECH) is located on the traditional lands of the Anishinaabek, Haudenosaunee, Lūnaapéewak, and Chonnonton peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Covenant Wampum and other treaties, colonized as London, Ontario. The ECH strives to create meaningful relationships between the Indigenous Peoples of Turtle Island and our contributors. The ECH honours the stewardship of the many Indigenous peoples who have resided on these lands since time immemorial.

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  • Home
  • Recent News
  • Community
    • Advisors & Editorial Team
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    • In Memoriam
  • Exhibitions
  • Projects
  • Publications
  • Background
    • Past Programming >
      • Exhibitions 1983-1990 >
        • Index of Curators
        • Index of Photographers
        • Index of Visual Artists
      • Film 1983-1990
      • Music 1983-1990 >
        • Index of Musicians
      • Performances 1983-1990 >
        • Index of Performers
    • Embassy Hotel History
  • About