Jayce Salloum

Jayce Salloum, as if an itinerant geographer of conflicted territories (most everywhere), observes the world and creates/collects a subjective archive of images to make meaning from. Since arriving here - by no means of his own volition - he tries to go only where he is invited or where there is an intrinsic affinity, his projects being rooted in an intimate engagement with place. A grandson of Syrian or Lebanese immigrants he was born and raised on others’ land, the Sylix (Okanagan) territory. After 21 years living and working elsewheres he planted himself on the unceded Xʷməθkʷey̓əm, Sḵwx̱wú7mesh + Səíl̓wətaʔł territories. Salloum has lectured and published pervasively and exhibited somewhat peripatetically at the widest range of local and international venues possible and most improbable, from the smallest unnamed storefronts in his downtown eastside Vancouver neighbourhood to institutions such as the Musée du Louvre, Museum of Modern Art, Guggenheim Museum, Centre Georges Pompidou, National Gallery of Canada, Bienal De La Havana, Sharjah Biennial, Biennale of Sydney and the Rotterdam International Film Festival. Visit his Vimeo account and Instagram account for more information

Work by Jayce

Artist Statement: beyond now

beyond now is a project for this time, in and out of quarantine time pondering how to tackle the point that we find ourselves in now and in the unforeseeable future and the politics of fear, regression, pain, promise and hope that surround us. I’ve started and stopped several stabs at things, a message comes at an opportune albeit heavily pressurized time requesting a response. I don’t normally produce work upon such short notice, with a short time frame, usually labouring over projects for years, trying to produce something resonant. Nevertheless I am interested in trying to think this period, this time, through into something useful. Your enthusiasm is convincing and breaks my indeterminate ennui. I had started by collecting fragments of text, correspondence with others and writing bits and pieces since I got back here (literally from the jungle) so am making it somewhat of a daily practice. The form becomes a sutured manifesto disguised as poetic ramblings and rants out into the void. Jayce Salloum

EDITORIAL TEAM

CURATORIAL ADVISORS
Jamelie Hassan & Ron Benner

ADVISORY CIRCLE
Samer Abdelnour, Wyn Geleynse, Fern Helfand, S F Ho, Lorraine Klaasen, Judith Rodger, Ruth Skinner, Mary Lou and Dan Smoke,  and Lucas Stenning

COORDINATING EDITOR
Tariq Hassan Gordon

ASSISTANT COORDINATING EDITOR
Olivia Mossuto

WEB DESIGN & SOCIAL MEDIA
Matthew Dawkins, Tariq Hassan Gordon, Olivia Mossuto, Niloufar Salimi, &  Jade Williamson

VIRTUAL TOURS
Andreas Buchwaldt

PRINT PUBLICATIONS
Shelley Kopp, Olivia Mossuto

CONTRIBUTING EDITORS
Andreas Buchwaldt, Matthew Dawkins,  Ira Kazi, Shelley Kopp, Niloufar Salimi,  Jenna Rose Sands, &  Michelle Wilson,

PAST CONTRIBUTING EDITORS
Charlotte Egan,, Mackenzie Smith, &  Jade Williamson

OUR STORY

Artists Jamelie Hassan and Ron Benner and jazz musician Eric Stach founded the Embassy Cultural House (1983-1990) located in the restaurant portion of the Embassy Hotel at 732 Dundas Street in East London. Other former members of the board were: Debrann Eastabrook, Henry Eastabrook, Sharron Forrest, Wyn Geleynse, Janice Gurney, Jean Hay (1929 - 2008), Doug Mitchell, Kim Moodie, Gerard Pas, Peter Rist, Wanda Sawicki, Jean Spence and Jennie White. In 2020, at the height of the COVID-19 pandemic, the Embassy Cultural House was re-envisioned as a virtual artist-run space and website.

This project is supported by the London Arts Council through the City of London's Community Arts Investment Program:

Thank you to our partners

E M B A S S Y C U L T U R A L H O U S E . C A

London, Ontario is on the traditional lands of the Anishinaabeg, Haudenosaunee, Lenape, Attawandaron and Huron-Wendat peoples, at the forks of Deshkan Ziibi (Antler River), an area subject to the Dish with One Spoon Wampum and other treaties.