Zainub Verjee

Zainub Verjee, born in Kenya and educated in the UK, arrived in Canada in the early 1970s and studied business administration and economics at Simon Fraser University. Deeply engaged with the UK’s British Black Arts, Third Cinema and the post-Bandung decolonization, and a close collaborator with Ken Lum in the early years of Vancouver’s photoconceptualism movement, and with Sara Diamond on the history of women’s labour in British Columbia, Zainub was the co-founder and co-director of In Visible Colours (1989) and later led the Western Front as the Executive Director throughout the 1990s. She then moved to Ontario to work with the Canada Council for the Arts, the Arts Policy branch at the Department of Canadian Heritage, and later as the inaugural Director of the Culture Division at the City of Mississauga
 
Embedded in a fluxus ethos, apart from her practice as a multidisciplinary artist, she is a programmer/curator, critic, writer, arts administrator, and activist. With expertise in cultural policy and cultural diplomacy, over four decades she has contributed to international and national policies and legislation pertaining to the culture sector including the international instruments like the Status of the Artists and Cultural Diversity. Her work on the British Columbia Arts Board led to the formation of British Columbia Arts Council, as well as she has contributed to the formation of many other institutions. An active member of civil society, she was the Vancouver Moderator of the Spicer Commission – The Citizen's Forum on Canada's Future. She continues to work on issues of Artist Labour, Artist Income, Racial Equity, Gender, Cultural Planning, Intellectual Property, Digital Ecosystems of Art, Cultural Institutions, Cultural Diplomacy and Culture Trade.
 
Her artworks have been shown at the Venice Biennale, Museum of Modern Art, NY, Portland Institute of Contemporary Art, Portland US, Centre d’Art Contemporain de Basse-Normandie, France, Museo de Arte Carrillo Gil, México, D. F. (Mexico City, Mexico), Faculty of Fine Arts, M.S. University of Baroda, India, and resides in private and public collections (Vancouver Art Gallery, Canada).
 
Zainub Verjee is the laureate of 2020 Governor General's Visual and Media Arts for Outstanding Contribution to the Arts in Canada. View Zainub Verjee and Niranjan Rajah in conversation on #AGALive for the Governor General Award Series. She is currently involved in the national campaign on Basic Income and is the co-author of the public letter to the Prime Minister of Canada on Basic Income Guarantee. #artists4basicincome
 
Currently, she is the executive director of the Ontario Association of Art Galleries in Toronto. Visit her website for more information. 

In spring 2021 Zainub was conferred with an Honorary Doctorate from the OCAD University, Canada’s university of the imagination.Here is the media release.

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Work by Zainub Verjee

Stitched to our future, Thread, Paper, Ink, 2012: Brooklyn Art Library, USA

Felted Memories: intertwined, entangled, meshed and recorded, 2012, felt, paper, ink, digital print 7”x 5”, Ahasiw Archives Project, Grunt Gallery, Vancouver, B.C.

Tools for Conviviality—Building the One Watt Radio Transmitter, Zainub Verjee, 2015 : (TELECOMMUNICATION ART / RADIO ART)

Detail of Video Dress, magnetic videotape apparel, Zainub Verjee, 2000

Through the Soles of my mother’s feet, 4 channel 8 screens video installation, Burnaby Art Gallery, 1997

A Series of 20 Postcards by Artists, The Instability of the Feminist Subject Residency, The Banff Centre for the Arts, Banff, Alta: 1992

Tea for Three assemblage, mix media, 1995: In the collection of Vancouver Art Gallery, Vancouver, BC

In Visible Colours—International Women of Colour and Third World Women, Bus Shelter Poster designed by Nora Patrich (68” x 47”). 1989

Art Gym, PICA Group Exhibition poster, 1997

Still from Ecoute, S’il Pleut, Ecoute, S’il Pleut , 1993,. Single-channel Video, 07:34 minutes, video distributor: Vtape

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